felicitygs: a smiling shark with a lazer on its back. it slaps its fins and makes a heart. (Default)
L - You 

 There is no ceremony when you return.
 
You did not expect there to be, other than perhaps the celebration of your defeat, but there is not even that. Those that see you avert their gaze. Embarrassment, shame, pity.
 
No disgust. You wonder some at that, and what has been said. If they gave you a proper funeral, though they lacked a body.
 
There will be repercussions. There always are.
 
XXXXXX
 
While it is debated what is to be done to you, you are kept in solitude. A tower, one that you knew in theory though had never been inside. It is said no one can escape it, and that once Ymir was held here for his crimes and never found a way to twist free of its magics.
 
You do not try.
 
There is food and water. There are books, hallways to wander, and the topmost floor has no ceiling–open to the air, there is a garden there. You examine it one afternoon.
 
(You note what it lacks: narcissus, figs, pomegranate; hemlock, crocuses, mulberries.)
 
Time passes.
 
Some days, the bitter fury that you first arrived with burns and twists inside of you. Others, there is the cold-sweat of fear and threats from titans slighted; those are few and far between. You are on the Realm Eternal, and even Thanos’ reach does not reach here. Not yet.
 
Most days, you feel nothing. Caught between moored and adrift, thoughts silent, you have time plenty to reflect.
 
You have visitors, on occasion. Thor most frequent of all, clinging to thoughts and hopes and dreams that you’ve long since realized lie, unwilling to let go of a childhood fancy. Brother, he still calls you, no matter how you protest, until eventually you have no further words for him. Frigga, who says little and does not question, and in her you see a thousand reflections of questions you are quick to bury as deeply as you can–where did I go wrong? what have I done? Her guilt is heavy, suffocating, nearly so much as her love. Odin is rarest of those who tried to claim a cuckoo for their own, but he questions most.
 
You tell him of Thanos, but little more when he tries to ask motivations. Your motivations are your own, and you do not care what fate it brings you that you will not share them.
 
You do not owe him anything.
 
After near strangling Odin in a fit of temper, there tend to also be guards who arrive with the visitors. Thor scoffs at it, and Frigga clearly is displeased, but neither do anything. Odin does not visit again.
 
(Good, you think. Good that he recognizes the wolf he has allowed as part of his flock. The knowledge you have now leaves no point to try and justify the slights and ills down you and your house.)
 
You have visitors, and you mark them and how they break up your day.
 
She does not visit.
 
You wonder, sometimes, what they’ve told her. Thor tells you without being asked about her–her silence, her distance, her reserve. He does not mention where she lives, if she stays in the rooms you shared or the home in the countryside you gifted her with its goats and cellars for cheese and wine.
 
(She does not visit and you do not let yourself think of it.)
 
XXXXXX
 
Eventually, they decide upon hanging you on Yggdrasil, with an eagle to come and feast on you.
 
It is announced, it receives no fanfare, and then there is only the waiting. Two weeks before what they intend.
 
It is, you think, fitting; give a gift, cause too much trouble, and be chained to have parts of you ripped out over and over and over, unable to escape your fate. They mimic Prometheus; the difference between you and your in-law is it took more push to receive the fate. Thor disagrees, of course, but what can he do? It seems to cause far more stir among those who claim concern than it does to you.
 
You can escape. You have always been able to do so. It is only a matter of time.
 
(After all, you escaped Thanos, did you not?)
 
Two weeks.
 
XXXXXX
 
You notice the guard before you notice her.
 
It is the last night before. Your skin hums with energy, and you cannot sleep, bracing already for pain. You raise an eyebrow at the guard, and your eyes slide a little to his left and you notice her.
 
Her eyes are still the storm-grey you remember, shocking against the dark of her skin, and they watch you without giving anything away. She does not speak, only examines you unblinking. No words, no questions. Silence.
 
(It is near as if she has not come to visit at all, and you deny the part of you that aches.)
 
“You may leave,” she tells the guard.
 
“I–”
 
The look she levels at the guard would draw wolves short for fear.
 
“You would deny a wife a final night?”
 
Ah, and there you see how Asgard has been forced to tread around her since your absence. She is yet a token of peace, even if it is easy for you to forget. From widow to wife of a condemned man, but it is her happiness that must be ensured, and so the whole of a kingdom bends on one knee as it ever has since that night so long ago.
 
(Not for the first time, you wish she had not been in Vanaheim when Thor fell; she would have made a marvelous queen, and you dare think that perhaps events would have gone differently.)
 
(Yet you know she would have refused to wear a crown. Too Aesir, she would have scoffed, ever unwilling to take an Aesir custom when there was a Vanir one available.)
 
The guard would rather face Odin’s displeasure than her’s, and there is some amusement in that as he casts one last glance at you before leaving.
 
She does not speak as she turns her attention to you once more; you do not break the silence, but wait.
 
You drink in the sight of her; you had nearly forgotten what beauty she is despite being so very much not of Asgard. Short, black curls, dark skinned. Only her eyes stand in sharp contrast, remind you of the sky over a stormy sea. She is lovely, still lovely, will ever be lovely, but now, as you relearn the lines of her face, you realize with the suddeness of a knife to the gut that there are lines that were not there before. Worry and grief etched deeper than they were before, untold stories that you have not shared with her.
 
This–this is grief. More grief than any you have felt since your return, more guilt and loss and regret than any single word from anyone else could stir.
 
She must see something of it on your face, or sense it, for she moves towards you. You catch glimmer of starlight–the himation you paid far more for than any other gift you have ever given, crafted by the elves from captured starlight of Vanaheim and the finest unicorn’s down in the darkest green that looks near black.
 
(No one tells stories of this gift, because it is not one that needed to be proclaimed from the mountain tops; it is hers, and hers alone, and it will never be enough to begin to soothe the hurt it covers.)
 
She touches your cheek; you do not lean into the touch. You stare at her, search over her face for what she wishes, but she remains silent. There is a scent to her that you struggle to place; it seems familiar, but you’ve forgotten much in your time away.
 
(The feel of her skin, the sound of her voice, but not her image, never that, this woman who is more than any you have ever met and ever will meet, who is some blending of fae and neriad and erinyes.)
 
Her hand smooths along your cheek to your neck, then your shoulder; a slight pressure, and you kneel before her. You know this language, and finally the strange and earthy scent takes a name: blood.
 
(A thousand rituals she has never explained but always done, for safe-keeping and safe return, love in every beat and step and pulse. Ritual she did not preform that fateful span of days because she was not there, but instead with her own, grieving for the loss of her aunt.)
 
The himation slips from her skin to the floor; beneath she wears nothing but a woven belt. The knife she has never explained to you hangs from it. Her skin is painted in blood–you think goat’s though the scent is not quite right–but it does not hide the marks beneath, history written in flesh of children born.
 
(History yet in her eyes of children gone.)
 
There is nothing to indicate the rules you must abide now; you lean forward, running your hands over her hips and then sliding around to her spine. She allows it, a hand twining in your overlong hair as you lean forward to press kisses to the skin, running your nose along her stomach, and you breath in her smell.
 
If you must suffer, you would the memory of her to tide you through the pain until you escape.
 
Her hand grips your hair, and you hear the sound of the knife sliding free. You do not move, and shortly after, there is the soft brush of your hair slipping to the floor, cut free. It is not gentle, but it is not rough either. You keep your eyes closed and face pressed to her stomach as she works. When she is done, she steps away, and you reluctantly let her go.
 
She examines you, knife still in hand.
 
“You are a fool,” she says.
 
You do not reply.
 
“You shall be my ruin,” she says, and then she leans down, grabbing your chin and kissing you.
 
You have only seen the seas of Vanaheim a few times. Once, you saw it in a storm, dark and angry and claiming any who erred on its surface; this is how your wife-princess-lover kisses, dark and angry and claiming, teeth pressing sharp into your skin and drawing blood, unfanthomable depths beneath threatening to drag you down.
 
She cuts your clothes from you, tearing them away, eyes calm. You can sense power twisting inside of her, and with a little effort can hear the rhythm she is creating in the methodical disrobing. Rip, rip, slide, tear, all to the slow and steady pulse of what she calls Asgard’s heart and you only know as the sound of magic.
 
Except not; there is something off to her beat, something unfamiliar, and there is intention behind it as there ever is when she works this way.
 
She pushes you to your back when you are unclothed and rides you with a hand around your throat, her teeth biting into your flesh. For every kindness and worship you pay her flesh, you are left dizzy with the pain and unkindness she repays you with. There is anger, depths of anger and rage that roil beneath the surface, that when you can focus you can see it in her eyes, and she gives you no mercy.
 
She kisses your forehead when she eventually stands, drapped once more in her starlight himation, a hand smoothing your hair down.
 
“Orycheío,” she says.
 
Mine.
 
“Yours,” you agree. For all the stiff ache settling into your bones, you feel, for the first time, like you are home, where you belong. You feel peace instead of nothing; you do not deserve such a gift from her, and yet she has given it all the same.
 
“Do not wash,” she says, and you nod. The traces of blood and more; a final ritual then, and you would not deny her anything now.
 
She leaves.
 
XXXXXX
 
It is Thor who offers you a drink to numb, that leaves your head dizzy and a laugh half on your lips. You wonder idly when the bird is meant to come, if it shall always arrive at the same time punctually, or if it shall instead come when it desires. If only you had thought to ask Prometheus, but it is too late now, strung up.
 
The sound of wings beating the air answers at least when the bird will arrive this day, and in a drunken haze you note that is quite a lovely eagle–large, with a vicious beak and wicked claws, steel gray shadowing its feathers and eyes that remind you, amusingly, of your wife-princess-lover’s.
 
The only pain is the prick of claws in your skin, there and gone again, and you hear a sharp crack, and then you are falling.
 
You have no magic at your finger tips, no cloak to shift yourself to bird, and you twist, disoriented, before the bird has caught you upon it’s back and is winging its way higher.
 
Skywalker indeed, it screeches, and you stare in confusion at the back of it, at the way it is laughing and the pleased tone of its voice, recognizing the sound of her voice
 
XXXXXX
 
“Your brother is an idiot,” she says later, bird form shed and nude, the patterns of blood smeared on her skin and a feather yet caught in her hair. You reach and tug it free clumsily, trying to push through the fog in your head.
 
“He tends to be,” you say, tongue still numb at the edges. “You should not have–”
 
“I will burn Asgard and all the realms to ash before I let them touch anything else that is mine,” she says, voice calm, even, matter-of-fact, and beneath the words churn the dark deeps of a stormy sea, of a woman tired of loss and grief. She looks at you, eyes the heart of a tempest. “You are mine, and you have returned.”
 
“Yes,” you agree, “I have.”
felicitygs: a smiling shark with a lazer on its back. it slaps its fins and makes a heart. (Default)
 L. You
 
You like to dance, when you think no one is watching. Bend and sway, a low hum that fills your chest, a sweet thing. Mostly sweet, at least when there’s a chance your husband or a servant might walk in.
 
(You’ve told him, again and again, that there’s no need for servants, but on this point he will not change. Just because you feel a need to do everything, he tells you, does not mean that you should. You allow he may be right, and that a prince’s household is far larger than the one you grew up in.)
 
You know your husband is interested in your dancing, enjoys it the way he enjoys burying his hands in your curls and running his nose along the top of your ear, bent over and around you. Sometimes, when he is quiet enough, he manages to dance a few steps with you, arms around your middle; when he does, you allow it to continue a spell.
 
I love you, he will murmur in your ear, and you smile.
 
There is another sort of dancing though, and you do not speak of it, do not do it where there is a risk of someone finding you. It is none of their concern, and it is a thing of Vanaheim you have no reason to bring here. Not yet.
 
Not until there the dwarves need help and come to Asgard for it. Not until your husband-prince-lover is meant to ride off to a fight not his to help a people not his.
 
(Your uncle, you know, is already sending a group of men. You know how they will appear, and what their women will do.)
 
What Asgard calls seidr is the domain of men. Asgard does not think so, but Asgard is wrong. Seidr is fire and air, and it is men’s magic. It is what brings them home, when they are away at sea, what they use to burn things when there are fights.
 
Come, you tell him, when he returns to your chambers, and you take him by the hand. You do not get horses, but you do get a goat, and you lead them far from the palace and its light and its warmth, until there are plains and soft grasses beneath your feet. You pause, remove your sandles, and then continue. He is curious, as he always is, but he does not ask.
 
Not yet.
 
When you strip and draw the knife ever present at your waist, his eyebrows raise.
 
That is what you use it for then? he asks, as he has always asked, and you smile darkly.
 
Sometimes, you tell him, then slit the throat of the goat and hold it, petting its head in your lap as the light goes out of its eyes, staining your front red in blood. Be still, and sit, and watch. You are careful to gather some of the blood up, mixing it with the skin of wine you brought–rich and heady wine, the strongest Vanaheim makes, sent to you by your aunt when she heard that Asgard would send its princes to aid Svartleheim.
 
Drink, you tell him, handing him the wineskin.
 
His eyebrows raise, but he sips at it, skin flushing at the potency.
 
How much? he asks as you begin loosen your hair from its ties.
 
All of it, you say. Nude but for the knife in your hand, you reach for the wineskin, and drink deeply.
 
(At home, in Vanaheim, you know this is a scene happening repeatedly, wives and lovers who wish to ensure their men return from war and battle. Asgard’s rites, though, are different. They are not binding, but Asgard knows nothing of magic. After all, they make women use men’s magic and the men use no magic at all.)
 
He watches with interest as you lay the goat open, sorting through its insides. Each, you know, has a use, but for this you need the heart; in your hand, it is not so large. You cut a sliver of it, and chew it thoughtfully, and then do the same for him.
 
The two of you pass the wineskin between you, until your skin is flush and the world goes soft at the edges. Sometimes, you daub cooling blood across his features. Sometimes, he tries to speak, but you put a finger to his lips until he finally does not try anymore, his eyes unfocused. He may drink long and often, but this is proper ritual wine and Asgard has nothing so potent as it. Even the dwarves are careful in its drinking.
 
He watches as you stand.
 
You dance. You begin slowly, stamping bare feet on the ground, setting a low pulse to match the turn of the realm, finding your way because you do not know Asgard’s beat so well as Vanaheim’s and the chain you make need be binding.
 
(Women’s magic–earth and sea, dark and calm and hearth.)
 
Even with only you to create sound and weave bonds, it is intoxicating.
 
Magic, he murmurs against your lips when you straddle his lap, face flush and words slurred. Your hands dip into the wine and you paint across his brow and nose before you kiss his lips, roughly, biting until he hisses as your teeth draw blood. You lick it from him, savoring the taste of him in your mouth, and listen to the earth groan as Asgard grips tight to its prince.
 
Finish drinking, you tell him, and he drinks while your fingers undo the ties and laces of his clothing to expose flesh, a hand at your hip possessively. He is already hard as you wrap your hand around his cock, and you smirk a little into the line of his neck as he tries not to choke on the last of the wine.
 
Tha érthei sto spíti mou, you whisper in his ear as you sink onto his length. Tha érthei sto spíti and you dig your nails into his shoulders, drawing more blood. He whines, dropping the wineskin, burying his head at your throat, one hand twisting possessively in your hair, other pulling you down, hips rocking up into yours. Orycheío you gasp, closing your eyes and head leaning back as his teeth dig into your skin, feeling the tug on your scalp.
 
Mine, he hisses into your skin, dark and possessive, and you whisper, yours.
 
It undoes what little coherence he has, his hands roaming your flesh, pushing you onto your back into the blood-wet grass, hooking your legs onto his arms so he can rut harder, deeper, desperate, and your encouragement is only a little for him, dizzy and heady from the energy still coiling inside you and the chains you yet bind him with.
 
Do not, you tell him in the morning before he rides out, wash your face.
 
He does not say anything, but then he nods. He is clever, your husband-prince-lover, and he can grasp well enough that not all magic is as Asgard says.
 
I love you, he says, and I will return soon.
 
A smile curls your lips, and you allow a hand to brush along his jaw before you kiss him.
 
Yes, you agree, you will.

30 Days - Outside

2013-Feb-25, Monday 02:32 pm
felicitygs: a smiling shark with a lazer on its back. it slaps its fins and makes a heart. (Default)
 It is raining.
 
It has been raining for nearly a week now, and Sigyn watches it and she wonders a little.
 
Mostly, she mourns, and for that she is grateful for the rain even if it means that someone she feels little sympathy for mourns as well.
 
Indeed, much of Asgard mourns; he may not have always been well-liked, may have sometimes had a jest gone too far, but he was Asgard’s odd prince.
 
She mourns privately, for all the public space where it alright to. She knows what rare privilege it was to be allowed into his confidences; he was not a lover, at least not physically, and yet his loss aches as much as that, perhaps more.
 
(It is safe to admit, alone, that he was one of her rare friends as much as she was one of his.)
 
They say Prince Thor has been changed, drawn in and reflective as few have ever seen him. The rain at least lends some credence to that, though Sigyn is not sure how much she believes it.
 
She hopes so; the cost was certainly high enough.
 
(Too high, she thinks, sitting on a balcony where she’d passed more than one evening in her beloved’s company, sweet wine on their lips and sweeter laughter in the air.)

30 Days - Wind (part 5/5)

2013-Feb-20, Wednesday 02:21 pm
felicitygs: a smiling shark with a lazer on its back. it slaps its fins and makes a heart. (Default)
 “Is it true?” Svala asks you one afternoon.
 
You wonder idly what truth it is she seeks this time; you have had hundreds of truths taken from you, idle questions that make you wonder what the Aesir even know of the Vanir, if anything.
 
(Is it true there is tar in your wine, is it true some women go bare-chested, is it true there are sea serpents large enough to make Jormungandr seem small, is it true is it true is it true and you smile the curve of a smile that here means nothing.)
 
“Is what true?” you ask politely, quietly, so as not to draw attention from the queen’s conversation.
 
(You have learned it is often best to hold your silences at these afternoon gatherings; it lessens how many A lady in Asgard’s you collect.)
 
“That your uncle bedded your mother?”
 
You should ask her to repeat the question, you should say Pardon, but the thought of saying pardon when you have been asked if your uncle Njord slept with your mother is nearly as offensive as the question itself.
 
“Is it true,” you say snidely, unkind and loud enough that all may hear, “that your husband brings his hounds to bed? No? Oh, beg pardon, Svala, it is only what I have heard at court.”
 
Svala flushes bright, and you see anger her eyes, but you smile sweetly at her as you stand.
 
“Pardon, Majesty,” you say to the queen, “but I have an appointment I forgot about elsewhere.”
 
(It is a thin lie, but you do not care. To suggest such–they forget, again and again and again, your uncle and mother are not Olympians, are not of that twisted branch, and you will not coddle their forgetfulness. Let them say you are not lady-like. If a lady of Asgard dares ask such, then it is even less the type of woman you would be.)
 
“Of course,” the queen says, graceful as always, and she gives your curtsy a nod before you leave.
 
(Svala will not be at these gatherings in the future, and no one dares ask such Is it true questions again, but you know it is in their minds. It is a comfort, at least, that the queen has put an end to it.)
 
In truth, you do not have anywhere to go except back to your rooms, and you cannot stomach the thought of being trapped there; you wander away from the gardens until you end up at the pastures by the stables. They remind you a little of home, with tall grasses and wildflowers.
 
There is no one here, no one to see you pull the shawl tight to your shoulders for warmth, no one to see you when you sit beneath a twisted old tree. The land here is flat and you can see all the way back to the palace. You stare at it for a while, your thoughts idle, and suddenly all you can think is how you miss home, miss the feel and smell of the sea, miss the sight of wave-beaten rocks. There are no gulls here despite their not-ocean, no salt in the air to sting your eyes and lay flavour on your tongue. The landscape has trees–pine and oak and hundreds you have no name for–not the scraggly and twisted olive trees that dot the craggy peaks of home, and here, where no one can see, for the first time since you arrived weeks ago, you pull your knees close and weep for what you needed to leave behind.
 
(Peace is hard-won, you think, and you should not mourn for what you have given. It is better than blood and death, and at least you yet live.)
 
(It does not ease how your heart aches.)
 
Something snuffles your hair and you start, looking up through tears. The something prances back, a horse, and you rub your eyes, sure your vision too blurred, and instead see that your eyes do not deceive you. He does have eight legs.
 
You laugh, weak and knowing it sounds near hysterical.
 
The horse eyes you warily, but when you do not do anything else, he shoves his nose back in your lap.
 
“I do not have anything,” you tell the stallion as he snuffs, reaching to scratch behind his ears. He seems near disappointed, or as disappointed as a horse may be, rolling his eyes at you. 
 
“Do not look at me that way, I did not know I would be meeting a horse today, let alone one with eight legs. Is there nothing normal about this place?”
 
(Perhaps it is ridiculous to talk as if he understands you, but a horse, at least, will have no way to demand a thousand truths from you, nor remind you that it is impolite to show your temper.)
 
The horse huffs, stirring you hair, before losing interest. He does not go far though.
 
(Perhaps he is as puzzled by you as you by him; you certainly do not resemble any Aesir here.)
 
The next day, instead of an afternoon with the queen, you go to the pastures and their faint echo of home, and when the strange horse begins to follow behind you, you offer him sugar and apples snuck away from your morning meal, stroke his soft nose, and talk to him as you wish you could talk to anyone here.
 
(Sometimes, you think he must understand you; it is in his reactions, snuffs and whinnies and nudges, eye rolls and headbutts, but surely not. He is only a horse, though one of many extra limbs and of a size that you’ve never seen in a horse, and you only want for someone who might understand and sympathize. Wishful thinking, you think, and nothing more.)

30 days - Wind (part 4/5)

2013-Feb-20, Wednesday 02:20 pm
felicitygs: a smiling shark with a lazer on its back. it slaps its fins and makes a heart. (Default)
 He does not visit your wedding bed that night.
 
Which is not to say he does not visit your rooms you have been given and share in pleasantries that never last more than a few minutes, that tell neither of you anything more of the other.
 
(Your rooms are large and spacious, the walls hung in tapestries that ease some of the shine of gold, but they still do not feel near so open as your smaller room in your uncle’s home. You think it the windows and how they are neither so open nor so wide as those.)
 
You spin and you weave in your rooms and you visit with the Queen in her garden in the afternoons, and in the evenings you share in meals where you smile the pretty smile that back home caused concern and here no one notices.
 
(If any note that he doesn’t share your bed, they do not comment, satisfied, you suppose, by the polite smiles you exchange.)
 
“Are your rooms to your liking?” he asks you one day, gaze roaming along the walls.
 
“As well as they may,” you say instead of this is not home. 
 
He glances at you, then his eyes follow your hands as you weave, and he is silent for a few minutes. 
 
(That is what he does. He does not talk as others do, does not attempt to tell story or boast as his brother and friends do, does not gossip of others as Frigga’s attendants do. He asks questions.)
 
“Do you read the future in your weaving?”
 
You pause at that, because today has been worse than usual–one In Asgard we too many–and you do not mean your voice to be so unkind as it is.
 
(Except, you think, you do.)
 
“My name is not Frigga,” you say flatly, “nor am I the Fates. ‘Tis only weaving, my lord, or do you yet expecting me to do a trick?”
 
He blinks at you, head tilting to the side as if a bird.
 
(You breathe and calm the churning depth of your emotion, despite anything you might wish.)
 
“Hardly,” he says. He pauses, and between you your temper lies as you return to your weaving, ignoring him in the hopes perhaps he will leave you alone before he says a word of how things are done in Asgard, how unladylike of a woman in Asgard to snip and snap, to lose her control.
 
(To be more than a demure woman who does naught but tend to her husband’s household.)
 
“What is your knife for?” he asks.
 
“To cut the threads of a man’s life,” you say, voice silken and low.
 
He chuckles at that, turning and beginning to leave. He pauses at the door.
 
“Are you cold?” he asks. “In your rooms? Are they warm enough?”
 
You blink, stopping to look at him again. A hint of a smile still graces his face, though it does little to reveal his thoughts or where the question came from. He has one hand at the door.
 
“I am not cold,” you say, startled as you realize you are telling the truth. That it has been true of your rooms since you arrived. Here, if nowhere else, it is not temperature that makes you uncomfortable.
 
“Most excellent. Good day, my lady,” he says, and he is gone before you can say else.
felicitygs: a smiling shark with a lazer on its back. it slaps its fins and makes a heart. (Default)
 The Aesir dress as if war might break out in a moment, and more than a few eye you and yours with curiosity at how lightly and loosely you dress. You suspect it will be common enough to come.
 
They do not, at least, dress for a wedding in armour, though there are still gleams of metal trim and a fondness for leather that strikes you as mildly odd. Perhaps the reason they are not cold is how they layer, but you doubt it. Everyone looks warm, and last night a servant apologized for the heat.
 
You regard each other, alone for a few brief minutes before the ceremony. 
 
(As if it will suddenly allow you to fit a proper courtship in such scant time.)
 
“Why,” he asks, first to break the silence, “do all your women wear knives?”
 
Instinctively, your hand reaches for the knife. Unlike the gold and gems that have been tucked into your hair and clasp the shoulders of chiton, it is plain and very nearly hidden in the folds of your cloth, and you did not expect any here to notice it, not at first. 
 
(Foolish, you think; they are a people of war and of course they would notice a weapon. Or their men would; other than one woman who follows in the first prince’s wake, none of their women seem armed. It is strange, and you feel the faint twinge of worry as you look on them, for surely surely they are not so foolish to go about so without a knife at their waist. And yet they do, and you remind yourself that you are in Asgard, not Vanaheim, and things are different here.)
 
“To gut fish,” you say and smile, not bothering to hide your lie as you look up at him.
 
(And it is up and up and up, and he is not even tall for an Aesir; you nearly feel a child next to him with your height, the top of your head just barely reaching his shoulder.)
 
“I have seen fish before, and the knives to gut them,” he says mildly, but there is no reproach in his voice. Not yet. He keeps his features controlled, as controlled as you have kept yours.
 
“Why, highness, do you suggest I would lie to you?”
 
He smiles, a quick flickering thing like light on water.
 
“I am suggesting you are leading me on,” he says with a chuckle.
 
(Inside, something eases, and the hope you have clung to since you first made your choice burns a little brighter.)
felicitygs: a smiling shark with a lazer on its back. it slaps its fins and makes a heart. (Default)
 The day you arrive in Asgard, you select a woolen chiton dyed the purple of your uncle’s house, trimmed in fine gold thread. It is a concession to the Aesir sensibilities, you say, because you have heard and seen pictures that suggest their women wear gowns that show hardly anything. 
 
(It is practical–a peplos would leave too much of you bare, and though it is high summer, you step onto their shimmering bridge and feel gooseflesh raise along your arms. You will not wear a himation yet, and you will not wear their strange garments, too tight and too heavy by far. You are Sigyn of Njord’s house, Sigyn of the Vanir, and you will not allow Asgard to take that from you even as you wed one of its princes.)
 
You expect layered clothes that scarce show skin. Your uncle has told you much of the rainbow bridge and sweeping vista and the water that spills into nothing–he had snorted at Asgard’s calling it an ocean–and it too you expect to some extent. Gold buildings, alien and different, vast construction that does not allow the air to breeze through as your uncle’s halls do. 
 
You do not expect how loud the strange spill of water into nothing is, nor how pale the Aesir are. Pale as if they’ve never walked a full day in the sun.
 
(Perhaps they have not. The stars here are so bright and it is yet day. The thought makes you homesick already for the cruel heat of Vanaheim’s sun that properly hides the sky until night falls.)
 
He, the prince, is also pale, though you are not sure if he is in truth paler than his brother or it is only more apparent with the sweep of his dark hair and the hue of his clothes. In either case, his skin is the colour of fine goat’s cheese.
 
(You hope Asgard has goat’s cheese; your uncle has told you they do not often have olives or dates, and you wonder what else they do not have. And if not, perhaps you will be able to acquire a few goat’s of your own, though, perhaps, it will be out of your reach yet. Aesir nobles are warriors all, and their women do not do such work, or so you have been told.)
 
His eyes are full of mirth; no less than expected, from what tales have been whispered of him through the realms.Their colour, though, oh the colour–green green green, green of the hills you have left behind, familiar green.
 
If there is nothing else, at least his eyes will please you.
felicitygs: a smiling shark with a lazer on its back. it slaps its fins and makes a heart. (Default)
 Your hands have an easy rhythm. One, two, one, two, round and round, and the thread passes between your fingers like spiders silk.
 
(You’ve heard tales of Arachne and her challenge to the gods, and you scoff at that. The Greeks, you think, are barbaric and they give your kind a bad name with their ways. No wonder Asgard thinks Vanaheim full of backwater farmers and fishermen and forget the quiet might that has forced them to stalemate generations ago, when the tales the mortals speak of are nothing but the pettiness of that clan. The Olympians and their Olympus; you are glad, not for the first time, you were given to your uncle’s care when your father’s boat foundered, not your aunt’s.)
 
You hear that your future mother-in-law weaves, and that is a comfort, one of the only one’s you have taken besides your pick between the brothers.
 
(But you are proud and you do not complain, though you will be taken from hills and rocks and rough seas and set on stable ground amid the too-cold stars. Peace, you know, is hard-won and ever changing, and it is not in you to mourn what cannot be changed.)
 
You finish winding the thread on the shuttle–green and vibrant as the hillsides of the home you are leaving soon, and begin to weave.
 
(Your only concession to Asgard’s chill that you will feel every day, this himation done in hues of your future husband.)
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